NERO is an international publishing house devoted to art, criticism and contemporary culture. Founded in Rome in 2004, it publishes artists’ books, catalogs, editions and essays.

NERO explores present and future imaginaries beyond any field of specialization, format or code – as visual arts, music, philosophy, politics, aesthetics or fictional narrations – extensively investigating unconventional perspectives and provocative outlooks to decipher the essence of this ever changing reality.

NERO
Lungotevere degli Artigiani 8/b
00153 Rome
Italy
+390697271252
[email protected]

Distribution
ITALY – A.L.I. Agenzia Libraria International 
BELGIUM, FRANCE, LUXEMBOURG, SWITZERLAND, CANADA – Les presses du réel
UNITED KINGDOM – Art Data
USA – Idea Books and Printed Matter
NETHERLANDS, GERMANY, AUSTRIA AND ALL OTHER COUNTRIES – Idea Books

For other distribution inquiries, please contact [email protected]

Media Inquiries
To request review copies, press images, or for other media inquiries, please contact [email protected]

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Heads of Content:
Valerio Mannucci, Lorenzo Micheli Gigotti

Creative Director:
Francesco de Figueiredo

Editor at large:
Luca Lo Pinto

Editors:
Michele Angiletta, Alessandra Castellazzi, Carlotta Colarieti, Clara Ciccioni, Carolina Feliziani, Tijana Mamula, Valerio Mattioli, Laura Tripaldi

News Editor:
Giulia Crispiani

Designers:
Elisa Chieruzzi, Lorenzo Curatola, Lola Giffard-Bouvier

Administration and Production:
Linda Lazzaro

Distribution:
Davide Francalanci

Tijana Mamula

is a filmmaker and writer. She is the author of Cinema and Language Loss: Displacement, Visuality and the Filmic Image (Routledge, 2013), editor of the Screen Dossier Forms of Multilingualism (2018), co-editor of The Multilingual Screen: New Reflections on Cinema and Linguistic Difference (Bloomsbury, 2016), and maker of the cult supercut Homophobic Friends (2011), among many other film and video works. Mamula is the recipient of a Northern Bridge scholarship for doctoral research at Newcastle University, where she is currently completing her second, practice-based PhD in Fine Art, supervised by Jane and Louise Wilson.

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